Carol Ann Duffy's new collection is well worth reading, even though it feels at times like deja vu.
She has the ability to write poems on both public and private themes (in fact, she transgresses those divisions) which are genuinely affecting. Poems like 'Last Post', 'Water, 'English Elms' and 'Crunch' actually brought a lump to my throat. In particular, I was moved by the references to her daughter, to her role as a Mum and the loss of her own mother in which she manages to be intimate and say things of wider, political significance.
Sometimes, though, it felt as if the poet was relying on a well-used box of tricks, especially when she was re-writing famous stories from a female perspective or using lists of dynamic words (usually nouns or verbs) to heighten the impact of her verse. For instance, 'Oxfam' (a found poem, consisting of a list of second hand objects with prices and poetic comment) is a bit tired, particularly when put up against Paul Violi's list poems (NB 'Police Blotter', a truly anarchic and inspired use of pastiche). Nonetheless, this collection has enough genuine sentiment and politics to make it worth a visit.
Saturday, 25 February 2012
Wednesday, 15 February 2012
In the review of 2011, I should have added something about the death of Paul Violi, a brilliant, funny satirist with an amazing talent for pastiche and strong lyrical gifts. His poems are not only humorous, they exhibit good humour and entertain on all levels. My favourite collection is The Curious Builder, published by Hanging Loose Press (don't you love the name?). One of the few essential collections by a contemporary poet.
Better than Billy Collins, by miles!